The McCarty family of guitars are born from passion and precision: built passionately to embody vintage tone while utilizing the precision of PRS's modern manufacturing techniques. The McCarty Singlecut 594 joins that tradition with a familiar feel and warm, vintage tone. Meticulously spec'd with a 24.594" scale length, Pattern Vintage neck carve, 58/15 LT pickups, tweaked Phase III locking tuners with modified collars and set screws, and a two-piece zinc bridge, the McCarty Singlecut 594 gives musicians the keys to the esteemed tones of vintage guitars in an instrument that won't fail them.
The McCarty Singlecut 594 was originally developed by the PRS Private Stock team and released as the November 2016 "Guitar Of The Month."
|Top Wood||Carved Figured Maple|
|Number of Frets||22|
|Neck Shape||Pattern Vintage|
|Neck Depth At The Nut||
|Width of Fretboard at the Body||
|Width of Fretboard at the Nut||
|Fretboard Inlay||"Old School" Birds|
|Bridge||PRS Two-Piece, Cast Zinc|
|Tuners||Tweaked Phase III Locking|
|Treble Pickup||58/15 LT|
|Bass Pickup||58/15 LT|
|Controls||2 Volumes, 2 Push/Pull Tone Controls, 3-way Toggle Switch|
PRS Core instruments are the heart of PRS. Since 1985, we have been driven by quality, innovation, and the industry’s rich heritage to deliver products with uncompromised tone, playability, and beauty. Every piece and every process is important to the finished instrument, so we take great care every step of the way to ensure you are getting our best.
Wood is the foundation of every PRS instrument, so great care is taken in sourcing, cutting, drying, and grading each species of timber used.
Neck shapes are paramount to the connection a player feels the moment he or she picks up a guitar. PRS neck shapes are designed for comfort, playability, and stability, so that feeling lasts a lifetime.
Stain and finish should do more than help a guitar look good; they should feel good and maximize tone as well. So while PRS is synonymous with beautiful, richly detailed stains, paints, and finishes, the goal is always to use a thin, clear, and hard finish that is durable and does not deaden the instrument’s natural tone and resonance.
The bridge is the anchor of the guitar. All PRS bridges are designed to maximize the transfer of the strings’ vibration into the guitar body while providing excellent intonation and functionality.
PRS Phase III tuners are designed to maximize the transfer of the strings’ vibration into the guitar while providing excellent tuning precision and stability via the easy to use locking system.
As one of the three main contact points of the strings, the nut is essential to the guitar’s tone. PRS uses a proprietary nut material, designed to maximize the guitar’s tonal resonance. PRS nut placement is compensated to provide accurate intonation across the fretboard. All PRS nuts are hand-filed for precise fit and superior playability.
A pickup is a transducer that captures the mechanical vibration of a string and converts it into an electrical current. Every component (wire, magnet, bobbin, slugs, etc) affects the sound and interacts differently with instruments and amps, which is why we design and build many distinct pickup models. Nearly all Private Stock and Core pickups are designed and built in our Stevensville, Maryland factory.
PRS uses nickel silver fret material for durability and tone. In general, PRS fret wire height has been specified to provide a good platform for both chord/rhythm playing and string bends/lead techniques. PRS fret wire width and hardness is specified to minimize wear, maximize fret life, and support the tone of the instrument. All PRS frets are glued in place to avoid raised or popped frets and are leveled, radiused, and crowned giving the guitar amazing comfort and playability.
The final instrument reflects all of the thought, work, and passion that are put into every step of the building process. If all the details are cared for, a guitar can be much more than the sum of its parts.
"The SC594 is literally the finest guitar I've ever played in my life. I can't even put it in words. I haven't put it down. There is a 'cut' and character in this guitar that I've been needing. It has a chime! Toby's music so 'complex' with so many things going on, I need CUT in my tones. Need to be able to rip a head off once in a while, but still have the warmth and character is guitarist and tone junkys need."
- Tim Rosenau, Toby Mac
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